In an impressive and strikingly impersonal manner, actors Christoph Bach and Cornelius Obonya will talk about crimes against human dignity and life. Their voices will chant an intimidating lullaby composed of the description of atrocities human beings are capable of. This sheer violence they are discussing is not new: we read about it in books, watched dozens of films, and revealed top-secret documentation. But have we learned the lesson that will make up for the trauma and prevent a new catastrophe from happening? Agreeing to watch this film means constantly asking this unpleasant question (whose answer becomes evident once you read the daily news). The time is pressing, and the answer should be given – by each of us individually and as a society. – Elena Rubashevska, Fipresci
Selma Doborac
AT, DE 2023
130 min | German
Caligari Film Award (Berlinale), Crossing Europe Local Artist Award, Special Award for Promoting Gender Equality (Sarajevo)
Selma Doborac
Born 1982 in Bosnia and Herzegovina, lives in Vienna and works in the fields of essay and experimental film, photography, installation, conceptual and textual art. Studied at the University of Applied Arts and with Harun Farocki at the Academy of Fine Arts, Vienna.
Films
Es war ein Tag wie jeder andere im Frühling oder Sommer 2012 | Those Shocking Shaking Days 2016 (11.UX) | De Facto 2023
Credits
B+S+SD+P: Selma Doborac | K: Klemens Hufnagl | M: Didi Kern, Philipp Quehenberger | T: Claus Benischke-Lang, Jochen Jezussek | V: Sixpackfilm | Mit Christoph Bach, Cornelius Obonya