catalogue 2020 (DE, EN, PDF)
A-Z langfilme
artists in focus: EVE HELLER | PETER TSCHERKASSKY
| PHIL SALOMON
labor of love: L'ABOMINABLE
film & buch: GERHARD FRIEDL
beyrouth: fundraising film screening
UNDERDOX documents & experiments (short
films)
UNDERDOX in paris: MUNICH UNIQUE
A-Z feature films
A.I. is the Answer | World Premiere
|
El año del
descubrimiento (The Year of the Discovery) sunday 11 oct 6.00 p.m. | filmmuseum münchen
|
Los Conductos | Labor of Love | 16mm auf HD
Pinky
is on the run. He has freed himself from the sect of the
"Padre". Colombia is burning. Nightmare and
hallucination are celebrated, greedily reality is
absorbed while the celluloid material pulsates. Parable
about the liberation of a whole country, maybe even
continent.
|
Ivana cea Groaznică (Ivana the
Terrible)
"Some
sort
of Balkan family gone wild" is what the director, who
grew up in Serbia and lives in Romania, calls her
psychotherapeutic comedy. Autobiographical starting
point: a woman on the verge of a nervous breakdown.
Actors: the artist's semi-national family and friends.
|
The Magic Mountain | Deutsche
Premiere
|
N • P | Deutsche Premiere |
Eröffnungsfilm
|
Pain, Vengeance? Brot,
Rache?
|
Piqueuses
|
VHYES | Deutsche Premiere
|
Zumiriki
|
Zustand und Gelände
|
artists in focus: EVE HELLER | PETER TSCHERKASSKY | PHIL SALOMON
EVE HELLER – LectureEve Heller (*1961, Massachusetts) films with a 16mm Bolex camera, or transforms found footage of various origins with the optical printer, completely restructuring it in the cut-up process. She always focuses on the special quality of the analog film material - the emulsion, the grain of the image, the opticalsoundtrack. Her films seem like poetic-cinematographic haikus, each one with its own unique style: from elegiac to impetuous, from lyrical to surreal. friday 9 oct 8:00 p.m. | filmmuseum münchen attending: Eve Heller
|
PETER
TSCHERKASSKY – Lecture
For more than two decades, Peter
Tscherkassky (*1958, Vienna) has been distilling his films
from found footage, cadre by cadre, using an elaborate,
strictly manual contact copy process in the darkroom. His
collages and multiple exposures result in an intense
experience of film - a "physical cinema", as Tscherkassky
himself calls it. In a lecture he will explain his technique
using the |
PHIL
SALOMON – Lecture with Eve Heller
The American experimental filmmaker Phil
Solomon (1954-2019) is one of the great alchemists of
cinema, alongside Stan Brakhage and Tony Conrad. For him,
the screen was a "window that opens on a daydream", as he
described it himself. Five of his works, including "Remains
to be Seen" (1989), one of the "greatest films of all time"
(Brakhage), open a view of his dreamlike universe. |
labor of love: L'ABOMINABLE
Das Filmlabor
L’Abominable im Norden von Paris bietet seit 1996
Filmemachern die Möglichkeit, in dem autonomen
Kollektivbetrieb ihr Filmmaterial selbst zu entwickeln und
zu bearbeiten. In dieser kreativen Post-Production-
Atmosphäre entstanden seither die Filme von Nicolas Rey,
Nathalie Nambot, Camilo Restrepo, Stefano Canapa, Martine
Rousset, Emmanuel Lefrant und vielen anderen, von denen
wir eine Auswahl herausragender professioneller
DIY-Arbeiten vorstellen.
|
film & buch: GERHARD FRIEDL
book: Gerhard Friedl – Ein Arbeitsbuch film: Knittelfeld – Stadt ohne Geschichte
|
beirut over and over
again
fundraising film screening
UNDERDOX documents & experiments (short films)
UNDERDOX in paris: MUNICH UNIQUE
Remembrance of an excursion with 15 UNDERDOX artists to
Paris, on the eve of Corona. |
Find prior editions of the festival in our archive.