A young French woman believes she has arrived in San Sebastián in search of mirages that have appeared along the coast. On a boat, she meets a Portuguese woman (Rita Azevedo Gomes), who tells her the story of two sisters who once lived in that same city. One story contains another; an old painting depicts one of the women and a man, but in motion; and binoculars used the wrong way round open doors onto images that are not there.
From its very title, ”The Mirage” is a film about the act of looking, about the visible and about what our gaze constructs from external reality. It is also a film built around long sequence shots that open themselves to the unexpected and grow in complexity as the narrative advances: reflections within reflections, variations and versions of the same character, and even different temporalities coexising within a single sequence shot. Thus, in a certain way, the entire film appears as one great mirage. – FID Marseille
Bingham Bryant
PT, US, DE 2026 | German Premiere
70min | Portuguese, Spanish, French | 16mm
Bingham Bryant
With his feature film debut For the Plasma (2014), he established himself as a keen observer of digital imagery and human perception. He lives and works between the USA and Portugal.
Films (selection)
For the Plasma 2014 | Foreign Powers 2019 | Doomed and Famous 2025 | Untitled 2025 | The Mirage 2026
D+E: Bingham Bryant | B: Bingham Bryant, Francisca Alarcão, Maria Novo | DOP: Christopher Messina | S: João Sarantopoulos | SD: Miguel Martins, Miguel Diogo | M: Marina Mello | P: João Matos, Bingham Bryant, Kristina Konrad | WS: Terratreme Filmes | With Francisca Alarcão, Maria Novo, Constance Rousseau, Rita Azevedo Gomes, Jan Baeta Salvany, Matías Tolchinsky