Alexandre LAROSE

 

With a background in both engineering and a Master of Fine Arts in filmmaking from Concordia, the Montréal-based filmmaker Alexandre Larose brings explicit technical skill together with intuition and an on-going process of trial and error. His process-based cinematic explorations have resulted in stunning visions of movement through space and across layers of personal memory in work that evokes the embodied nature of visual experience. His astonishing Brouillard – Passage #14 (2014) has been shown at the 10. UX and gave the impact to present the Québec experimental filmmakers' scene.

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930 – Canada 2009
5 min – 16mm – no dialogue
V: Light Cone

Originally filmed inside a train tunnel in Québec City, “930” presents a series of visual passages oscillating between light and darkness, intercut with moments of stillness.

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Artifices – Canada 2006
3 min – 16mm – no dialogue
V: Light Cone

Luminous traces obtained through in-camera optical manipulation of nocturnal urban imagery.

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Rue de la Montagne – Canada 2012
3 min – 35mm on HD – no dialogue
K+V: Alexandre Larose

In summer of 2012 I shot a series of sequences, each consisting of a multitude of vertical panoramas that I juxtaposed in the camera. The movement of the camera sweeps over the North-South axis defined by the rue de la Montagne in downtown Montréal.

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Le corps humain (introdutcion: la génération) – Canada 2006
4 min – 16mm – French
M: Ludovic Boily – Voice: Alexandre Larose – V: Light Cone

This film is an in-camera portrait of my niece, Mia Larose (who was six months old at the time) captured during a winter family reunion in Lac Saint-Charles, Québec. – Alexandre Larose